T.S. Eliot wrote a poem entitled “East Coker,” which is part of a larger work called The Four Quartets. I’ve blogged about this before. And for those of you who are curious, the other three quartets are called “Burnt Norton,” “The Dry Salvages,” and “Little Gidding.”
“East Coker” begins with the line “In my beginning is my end,” acknowledging that from the moment we are born we begin to die. He ends the poem with “In my end is my beginning.” Eliot was, at this point in his career, writing from a Christian perspective, and this line signals that, stating that death will be the end of his life on earth, but the beginning of something else.
Lots of people say that when one thing ends another begins. Usually, it comes in the imagery of doors and windows, such as “when one door closes, another one opens” or “when God closes the door, he opens a window.”
I’m not so sure, though, that the end of something always signals the beginning of something else. Sometimes, I think it’s just the end.
When my ex and I were still together, and I flew up with him to the place he is from to meet his family, do you know what I thought? I thought that I could live there. That I wanted to live there, even. I remember exactly the moment I thought it, too. We were driving down the road, just the two of us, and I was looking out the window, and I felt such a sense of peace and purpose, and I thought, I really like it here. I could live here.
I knew he wanted it, too. I knew he wanted to move back home, or move somewhere else aside from the Gulf Coast. And I couldn’t really blame him for that. A part of me wanted it, too. I felt it when we went away together, as I’ve just said. Yet, I kind of dug my heels in on that issue. I did that because I was scared. You see, I’m not the kind of person who makes friends easily. Who fits in easily. And I’d just moved back home and finally found friends and had a sense of belonging. And I didn’t want all of that ripped up, even if I was going to be with the man I loved. I was scared.
Of course, I’m also not the kind of person who meets men easily, and now I’ve lost a really great guy, who I still love so very much, in large part because of my fear and my selfishness. I thought perhaps he’d move away, now that the one thing holding him here (me) was out of his life. But it doesn’t look like that’s going to happen, either. It seems as though the push to move was probably just a subconscious desire to get away from me. I say subconscious because he wouldn’t do that on purpose, he wouldn’t have hurt me like that. He’s not that kind of person.
He’s with someone else now, and I cannot help but hope that they’ll be very happy, that she will be able to make him happy in a way that I could not. Even as I mourn the loss I hope this. Even as I struggle to let go of the hope for the two of us, I hope this. Even as I give up hope for myself, I hope this.
I don’t know what any of that has to do with beginnings and endings and T.S. Eliot. But it seemed related in my head.
A person whom I love and respect very much once stumbled across my blog and told me he thought I was a very good writer. I still remember this moment, too. Where he was standing. Where I was standing. You see, a lot of people have the impression that I’m a good writer, people who know me, people who are a part of my daily life. Only they really don’t have any proof that it’s true, because most of them have never read anything I’ve written. They just take it on faith, I guess. And a lot of people who’ve read this blog have commented that they think I’m a good writer, but almost none of them really know me or are a part of my daily life.
But here was this person that I loved and cared about, a person far smarter than myself, whose opinion about things I respect a great deal, telling me that he read some of the things I wrote and he thought I was good.
Of course, a lot of the other things he told me ended up not being true, so perhaps that was just a mistaken compliment. I don’t say lie because I think sometimes we can convince ourselves so much that we feel a particular way or think a particular thing that we think it’s true when we say it, only later we realize it wasn’t. This is what happened with him.
In case you couldn’t tell, I’m going through a bit of a rough patch at the moment. Recent events have displaced me somewhat, and I’m still trying to get my footing back. Being trapped under the cloud of a depressive funk isn’t helping much at the moment.
Of course, I’ve had a lot more time for myself lately, to do the things I like, to rediscover things that I’d long since forgotten about. I’ve been, for example, re-watching old episodes of The West Wing.
There’s this great episode, one of the best from the show, which is really saying something, since it was a great show for a while there…until it started to suck and I stopped watching it. The episode was called “Noel.” It was the Christmas episode from the second season. For those unfamiliar with the show, at the end of the first season there was a shooting and one of the main characters, Josh Lyman, is shot and injured pretty badly. He goes through a long surgery and recovers. In this episode, we discover some of the psychological effects of his injuries. He is suffering from Post Traumatic Stress Disorder, and he kind of has this whole meltdown over the course of a couple of weeks that prompts his boss to call in a psychiatrist for him to talk to.
It’s really a very great episode. If you’ve never watched the show, you should, if only for this episode (and a handful of others). The writing is superb, the editing is amazing, and there are so many little moments that are so moving, it’s really worth the time. I think you could maybe even watch it without ever having seen the show, though I think it would not have the same emotional impact as it does if you’ve invested the time in getting to know the characters over the first season and a half.
Anyway, the point of all of that is to set up for this one line. The doctor tells Josh that the thing that triggers his PTSD response is music, which his brain equates with sirens, which causes him to begin reliving the shooting over again. Josh asks if that’s going to be his response every time he hears music. The doctor tells him no. Josh asks why, and the doctor tells him simply, “Because we get better.”
It’s somewhat ironic I suppose, that now I am thinking of moving again. Only now, rather than doing it with one person I love and leaving everything else, I’ll have to do it alone. I’ve been alone virtually my whole life. For the longest time, it was because I wouldn’t let people in, not even those who loved me, like my family or friends. Now, it’s because I’ve screwed up and am suffering the consequences of that. And the pain is so great that, quite frankly, I’m back to being scared.
So, yes, I guess even I will get better. If Josh could get over being shot and nearly dying, then I can probably get over not being particularly happy with the direction my life has taken on virtually every single level. It’s just that, despite the fact that I’ve almost always been alone, I’ve never particularly liked it. It’s just so hard. Yet it’s always been my choice.
Yes, I’m a strange and complicated girl.